lead guitar from “i bet you look good...” by arctic monkeys | ToneDB

i bet you look good...

arctic monkeys

lead guitar

From The Benchv2.0

SOURCES 3 · DOCUMENTED 3 · REPORTED 3 · INFERRED 1 · VERIFIED SEP 2026

Tone Profile

A wiry, mid-forward single-coil tone with a fizzy distortion-pedal edge, played hard and fast with almost no sustain and no effects beyond the drive. Two guitars scrapping in the same range, cut live and left rough.

Gear

Fender Stratocasterinstrument
Reverb$880Sweetwater
Vox AC30amp
ReverbSweetwater
ProCo RAT 2processing
Reverb$97Sweetwater
Fender Telecasterguitar
ReverbSweetwater

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The Story

The album version of I Bet You Look Good on the Dancefloor was cut at Chapel Studios in Lincolnshire in the first days of a 15-day session, after earlier attempts at 2fly Studios in Sheffield; the song was recorded three times with different producers before Jim Abbiss's take was chosen. Abbiss ran the band live in the room with the amps in a booth, through an Amek 2500 desk into Pro Tools, with hardly an overdub, aiming to get as near to a gig as possible without being messy; only Turner's lead vocal was done separately, and it was mixed on an EMI TG1. Turner sang and played guitar alongside Jamie Cook, with Andy Nicholson on bass and Matt Helders on drums. Turner played a high-strapped Fender Stratocaster in the video and toured the album with two ProCo RAT 2 pedals and a Boss TU-2. No source names the studio amps or Cook's guitar; a Fender Telecaster for Cook and the band's own combos with the RAT doing the drive is likely, and unconfirmed. The single came out on 17 October 2005 and went straight to number one in the UK.

Production Credits

Producer: Jim Abbiss

Engineer: Jim Abbiss

Recorded at: Chapel Studios, Lincolnshire

Signal Chain

Instrument: Fender Stratocaster

Amp: Vox AC30

Processing: ProCo RAT 2

Recreation Tips

  • Use a single-coil guitar, bridge pickup, and keep the tone control wide open; the sound is thin and sharp on purpose.
  • Get the drive from a distortion pedal in the ProCo RAT 2 family into a clean-ish amp rather than from the amp; set the pedal's filter fairly bright.
  • Play with a hard downstroke attack and mute between hits; the parts are rhythmic stabs, not chords that ring.
  • Record both guitars at once in the same room if you can, one per side, and do not double them; the roughness is the sound.
  • Skip reverb and delay entirely; if the mix feels dry, that is correct.
  • Push the guitars into the mids and let the bass hold the low end; the record has no low end in the guitars.

Original Gear

  • Fender Stratocaster(guitar)
  • Fender Telecaster(guitar)
  • ProCo RAT 2(pedal)
  • Vox AC30(amp)

Substitutions & Recommendations

Squier Classic Vibe 60s Stratocaster$400-$450

Alternative to: Fender Stratocaster

Single coils with the right wiry bridge sound at a starter price.

ReverbSweetwater
ProCo RAT 2$80-$100

Alternative to: ProCo RAT 2

Still made and still cheap; the same pedal.

ReverbSweetwater
Vox AC15C1$700-$800

Alternative to: Vox AC30

The smaller sibling gets the chime and takes a RAT well at lower volume.

ReverbSweetwater
Fender Blues Junior IV$600-$700

Alternative to: Vox AC30

A clean pedal platform that stays sharp when a distortion pedal hits it.

ReverbSweetwater

Sources

Frequently Asked Questions

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