What piano did Badfinger use on Come and Get It?

Badfinger used a Steinway Model D grand piano at Abbey Road Studios for the recording. This was likely one of Abbey Road's house pianos that would have been available during their 1969 session with Paul McCartney producing.

How to get that vintage piano sound on Come and Get It?

Start with a quality grand piano sample, apply gentle optical compression like an LA-2A, and use tube microphone modeling. The key is the combination of the Steinway's natural brightness with subtle compression and the warm character of vintage tube equipment.

What microphones were used to record Come and Get It piano?

Neumann U67 tube condenser microphones were used to record the piano. These mics were standard at Abbey Road and provided the warm, detailed sound with the slight tube coloration heard on the track.

What compression was used on Badfinger Come and Get It piano?

A Teletronix LA-2A optical compressor was used to control the piano dynamics and add sustain. This classic compressor adds gentle tube warmth while evening out the performance without obvious pumping or artifacts.

Who produced Come and Get It by Badfinger?

Paul McCartney produced "Come and Get It" for Badfinger at Abbey Road Studios. McCartney also wrote the song and originally intended it for The Beatles before giving it to Badfinger instead.

piano from "come and get it" by badfinger

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Tone Profile

A bright, slightly compressed piano sound with a touch of vintage warmth. It's clear and present in the mix, providing a solid harmonic foundation.

Shop This Rig

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Steinway Model D(instrument)
Neumann U67(microphone)
Teletronix LA-2A(processing)

The Story

"Come and Get It" was recorded at Abbey Road Studios with Paul McCartney producing. The piano track features a Steinway Model D recorded through Neumann U67 microphones with Teletronix LA-2A compression to control dynamics and add warmth. This combination of classic studio equipment gives the piano its characteristic bright, clear sound with vintage warmth that sits prominently in the mix.

Production Credits

Producer: Paul McCartney

Engineer: Geoff Emerick

Recorded at: Abbey Road Studios, London

Signal Chain

Instrument: Steinway Model DShop on Reverb

Microphone: Neumann U67Shop on Reverb

Processing: Teletronix LA-2AShop on Reverb

Recreation Tips

Start with a high-quality grand piano sample or recording.
Use a vintage-style microphone emulation plugin to capture the characteristic sound of a Neumann U67.
Apply gentle compression with an LA-2A emulation to control dynamics and add warmth.
Slightly boost the high frequencies to enhance clarity and presence.

Original Gear

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Steinway Model DShop on Reverb(keyboard)
Neumann U67Shop on Reverb(mic)
Teletronix LA-2AShop on Reverb(compressor)

Substitutions & Recommendations

Native Instruments The GrandeurPlugin Boutique$199

Alternative to: Steinway Model D grand piano

Sampled from a Steinway Model D, captures the same full-bodied tone with detailed articulation and natural sustain characteristics

Universal Audio Neumann U67 CollectionPlugin Boutique$149

Alternative to: Neumann U67 microphone

Accurately models the U67's tube warmth and frequency response that shaped the original piano recording

Universal Audio Teletronix LA-2A Classic Leveling AmplifierPlugin Boutique$149

Alternative to: Teletronix LA-2A compressor

Provides the same smooth optical compression and tube saturation that evened out the piano dynamics

Spectrasonics KeyscapePlugin Boutique$399

Alternative to: Steinway Model D grand piano

Includes multiple Steinway samples and vintage piano sounds with extensive tonal shaping options for that classic 70s piano tone

Waves Abbey Road Studios PianoPlugin Boutique$29-49

Alternative to: Complete signal chain recreation

Budget option that models Abbey Road's piano recording setup including room acoustics and vintage processing

Sources

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piano from “come and get it” by badfinger | ToneDB