bass guitar from “come as you are” by nirvana | ToneDB
come as you are
nirvana
bass guitar
Tone Profile
A warm, slightly overdriven bass tone with a round low-end and a touch of fuzz. It provides a solid foundation for the song's grunge aesthetic.
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The Story
Krist Novoselic recorded the bass for "Come As You Are" using a Univox Hi-Flier bass through an Ampeg SVT amplifier at Sound City Studios with Butch Vig producing. The signal was captured using both an AKG D12 microphone placed in front of the SVT cabinet and a Tech 21 SansAmp Bass Driver DI, which contributed to the slightly overdriven, fuzzy character that became integral to the song's grunge sound.
Production Credits
Producer: Butch Vig
Engineer: Craig Montgomery
Recorded at: Sound City Studios, Van Nuys, CA
Signal Chain
Instrument: Univox Hi-FlierShop on Reverb
Microphone: AKG D12Shop on Reverb
Processing: Tech 21 SansAmp Bass Driver DIShop on Reverb
Recreation Tips
- Start with a bass guitar that has a thick, round tone. A P-bass or similar instrument would be a good choice.
- Use an Ampeg SVT or similar bass amp to provide a solid low-end foundation.
- Add a Tech 21 SansAmp Bass Driver DI to introduce some overdrive and fuzz to the signal.
- Blend the mic'd amp signal with the DI signal to achieve the desired balance of warmth and aggression.
- EQ the bass to taste, focusing on the low-end and low-mids.
Original Gear
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Substitutions & Recommendations
Alternative to: Univox Hi-Flier bass
Provides the thick, round P-bass tone that matches the Hi-Flier's character for this grunge foundation
Alternative to: Ampeg SVT amplifier
Direct modern reissue of the original SVT circuit that provides the same warm, powerful low-end foundation
Alternative to: Ampeg SVT amplifier
Premium vintage-accurate recreation of the original 1970s SVT that Novoselic likely used
Alternative to: Tech 21 SansAmp Bass Driver DI
Updated version of the exact same pedal used on the recording, providing the signature overdrive and fuzz character
Alternative to: AKG D12 microphone
Modern reissue of the exact vintage dynamic mic used to capture the SVT cabinet on the original recording
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