What guitar did David Gilmour use on Another Brick in the Wall Part 2?

David Gilmour used a Fender Stratocaster for the rhythm guitar parts on "Another Brick in the Wall, Part 2." This was consistent with his primary guitar choice throughout much of Pink Floyd's catalog.

What amp was used on Another Brick in the Wall Part 2 guitar?

The guitar was recorded through a Hiwatt DR103 amplifier. Hiwatt amps were a staple of David Gilmour's sound, known for their clean headroom and natural overdrive when pushed.

How to get David Gilmour's tone on Another Brick in the Wall?

Start with a Stratocaster into a high-headroom British-style amp like a Hiwatt. Use compression from an MXR Dyna Comp or similar pedal to add sustain and even dynamics. Set the amp for a clean sound with just a touch of natural overdrive.

What compressor did Pink Floyd use on The Wall album?

An MXR Dyna Comp was used on the guitar parts for "Another Brick in the Wall, Part 2." This pedal helped add sustain and even out the dynamics of the rhythm guitar performance.

Where was Another Brick in the Wall recorded?

"Another Brick in the Wall, Part 2" was recorded at Britannia Row Studios in London. The album was produced by Bob Ezrin and engineered by James Guthrie.

rhythm guitar from "another brick in the wall, part 2" by pink floyd

another brick in the wall, part 2

pink floyd

rhythm guitar

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Tone Profile

The rhythm guitar sound is clean with a slight overdrive, creating a warm and subtly distorted tone that supports the song's iconic melody. It provides a foundational harmonic texture with a touch of grit, fitting perfectly within the mix.

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Fender Stratocaster(instrument)
Hiwatt DR103(amp)
Neumann U67(microphone)
MXR Dyna Comp(processing)

The Story

The rhythm guitar on "Another Brick in the Wall, Part 2" was recorded at Britannia Row Studios in London, produced by Bob Ezrin and engineered by James Guthrie. The tone was achieved using a Fender Stratocaster through a Hiwatt DR103 amplifier, with compression from an MXR Dyna Comp pedal to add sustain and even out dynamics. The guitar was captured with a Neumann U67 microphone, creating the clean-to-slightly-overdriven sound that supports the song's iconic melody.