What guitar did Gustavo Cerati use on De Música Ligera?

Cerati used a Fender Stratocaster for the lead guitar parts on "De Música Ligera." The Stratocaster's bright single-coil pickups were essential for achieving the crisp, articulate tone that cuts through the mix with the chorus effects.

How to get Soda Estéreo chorus guitar tone?

Start with a clean Stratocaster through a Roland JC-120 or similar clean amp. Add a Boss CE-2 chorus pedal for the signature swirling effect, and consider using a Roland Dimension D for additional stereo width. Keep the amp clean and let the modulation effects create the movement.

What amp did Gustavo Cerati use with Soda Estéreo?

Cerati frequently used the Roland JC-120 Jazz Chorus amp, which provided both pristine clean tones and built-in stereo chorus effects. This amp was crucial to Soda Estéreo's signature sound throughout their career.

What chorus pedal sounds like Soda Estéreo guitar tone?

The Boss CE-2 chorus pedal is the closest match, as it was actually used on many Soda Estéreo recordings. The modern Boss CE-2W Waza Craft version offers both the original CE-2 sound and additional vintage modes for authentic results.

How to recreate 80s Argentine rock guitar tone like Soda Estéreo?

Focus on clean amplification through a Roland JC-120 or similar, use quality chorus effects like the Boss CE-2, and consider stereo widening with a Dimension D-style processor. The key is pristine clean tones with lush modulation rather than distortion.

lead guitar from "de música ligera" by soda estéreo

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soda estéreo

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Tone Profile

The lead guitar tone is bright, shimmering, and chorus-laden, providing a clean yet captivating texture that cuts through the mix. It's iconic for its use of chorus and delay.

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Fender Stratocaster(instrument)
Roland JC-120(amp)
Boss CE-2(processing)
Roland Dimension D(processing)

The Story

Gustavo Cerati's lead guitar tone on "De Música Ligera" was built around a Fender Stratocaster through a Roland JC-120 amp, known for its pristine clean tone. The signature shimmering quality came from chorus effects, likely a Boss CE-2, with additional spatial enhancement from a Roland Dimension D. The combination of the JC-120's built-in chorus capabilities and external modulation effects created the lush, swirling texture that became synonymous with Soda Estéreo's sound.