rhythm guitar from “friend of the devil” by the grateful dead | ToneDB

friend of the devil

the grateful dead

rhythm guitar

From The Benchv2.0

SOURCES 3 · DOCUMENTED 1 · REPORTED 4 · INFERRED 1 · VERIFIED SEP 2026

Tone Profile

A dry, woody flat-picked acoustic rhythm with a walking bass-register line on the low strings and light strums on top. Little reverb, no effects, and the guitar sits close to the listener like a living-room recording.

Gear

Martin dreadnought acousticinstrument
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The Story

Friend of the Devil was recorded for American Beauty at Wally Heider in San Francisco in August and September 1970, produced by the Grateful Dead with Stephen Barncard, the studio's staff engineer, who replaced Bob Matthews; the band worked without their regular sound crew. Robert Hunter brought the song to a rehearsal mostly written, and David Nelson and John Dawson smoothed the changes, with Dawson pushing for a stronger repeating line; the music is credited to Jerry Garcia and Dawson. The track is largely acoustic and opens with Garcia walking a descending G major scale in the bass register. No fetched source names the guitars or microphones; Martin dreadnoughts are likely, consistent with the band's acoustic work of the period.

Production Credits

Producer: Grateful Dead and Stephen Barncard

Engineer: Stephen Barncard

Recorded at: Wally Heider, San Francisco

Signal Chain

Instrument: Martin dreadnought acoustic

Recreation Tips

  • Use a dreadnought with medium strings and a medium-heavy flatpick; the low-string walk needs weight.
  • Play the descending G run on the bass strings with alternating bass under the chords, keeping the strums light and the bass notes clear.
  • Keep the tempo up; the studio version moves, and the slow ballad feel is a different arrangement.
  • Record with one condenser mic a foot or so off the twelfth fret, no reverb, and let the room do the rest.
  • If you are layering, keep the second guitar sparse and higher up the neck so the bass walk stays uncluttered.

Original Gear

  • Martin dreadnought acoustic(guitar)

Substitutions & Recommendations

Martin D-18$2,400-$2,800

Alternative to: Martin dreadnought acoustic

Mahogany dreadnought with a dry, woody voice that suits flatpicked bass runs.

ReverbSweetwater
Eastman E10D$1,300-$1,600

Alternative to: Martin dreadnought acoustic

An all-solid mahogany dreadnought in the same voice at a lower price.

ReverbSweetwater
Yamaha FG5$1,000-$1,200

Alternative to: Martin dreadnought acoustic

A solid-wood dreadnought that records dry and clear.

ReverbSweetwater
Rode NT1 condenser$200-$260

Alternative to: Martin dreadnought acoustic

One good condenser near the twelfth fret is the whole recording chain for this sound.

ReverbSweetwater

Sources

Frequently Asked Questions

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